For Masonic education in our stated meeting on January 18th, Bro. Steve Beale shared a chapter out of Introduction to Freemasonry – Entered Apprentice by Carl H. Claudy called A Point Within a Circle. Here is the chapter in it’s entirety:
Point Within A Circle
There is in every regular and well-governed Lodge, a certain point within a circle,
embordered by two perpendicular parallel lines.…
It is among the most illuminating of the Entered Apprentice’s symbols and is important not only for its antiquity, and many meanings which have been read from it, but because of the bond it makes between the old operative stone setter’s art and the Speculative Masonry we know.
No man may say when, where, or how the symbol began. From the earliest dawn of
history a simple closed figure has been man’s symbol for Deity – the circle for some
peoples, the triangle for others, and a circle or a triangle with a central point for still
others. In some jurisdictions a lodge closes with brethren forming a circle about the altar, which thus becomes the point or focus of the Supreme Blessing upon the brethren.
A symbol may have many meanings, all of them right, so long as they are not selfcontradictory. As the point within a circle has had so many different meanings to so manydifferent people, it is natural that it have many meanings for Masons.
It is connected with sun worship, the most ancient of religions; ruins of ancient temples
devoted both to sun and to fire worship are circular in form with a central altar or point which was the Holy of Holies. The symbol is found in India in which land of mystery and mysticism its antiquity is beyond calculation. In ancient meaning the point represents the sun and the circle the universe. This is both modern and ancient, as a dot in a small circle is the astronomical symbol for the sun.
The two parallel lines which in modern Masonry represent the two holy Sts. John are as ancient as the rest of the symbol, but originally had nothing to do with the “two eminent Christian patrons of Masonry.” They date back to an era before Solomon. On early Egyptian monuments may be found the Alpha and Omega or symbol of God in the center of a circle embordered by two perpendicular, parallel serpents representing the Power and the Wisdom of the Creator.
This is not only a symbol of creation but is fraught with other meanings. When man
conceived that fire, water, the sun, the moon, the stars, the lightning, the thunder, the
mountains and rivers did not each have a special deity, that in all this universe there was but one God, and wanted to draw a picture of that conception of unity, the only thing he could do was to make a point. When man conceived that God was eternal, without beginning and without ending, from everlasting to everlasting, and desired to draw a picture of that conception of eternity, he could but draw a circle that goes around and around forever. When man conceived that the Master Builder did not blow hot and cold, that he was not changing, fickle and capricious, but a God of rectitude and justice, and needed to picture that conception of righteousness, he drew straight up and down parallel lines. So this symbol stands for the unity, the eternal life, and the righteousness of God.
That derivation of the symbol which best satisfies the mind as to logic and
appropriateness students find in the operative craft. The tools used by the cathedral
builders were the same as ours to-day; they had gavel and mallet, setting maul and hammer, chisel and trowel, plumb and square, level and twenty-four inch gauge to “measure and lay out their work.”
The square, the level, and the plumb were made of wood – wood, cord, and weight for
plumb and level; wood alone for square.
Wood wears when used against stone and warps when exposed to water or damp air. Themetal used to fasten the two arms of the square together would rust and perhaps bend or break. Naturally the squares would not stay square indefinitely but had to be checked up constantly for their right-angledness.
The importance of the perfect right angle in the square by which the stones were shaped can hardly be overestimated. Operative Masonry in the cathedral-building days was largely a matter of cut and try, of individual workmen, of careful craftsmanship. Quantity production, micrometer measurement, interchangeable parts had not been invented. All the more necessary then that the foundation on which all the work was done should be as perfect as the Masters knew how to make it. Cathedral builders erected th eir temples for all time – how well they built a hundred glorious structures in the Old World testify. They built well because they knew how to check and try their squares.
Draw a circle – any size – on a piece of paper. With a straight edge draw a line through
its center. Put a dot on the circle anywhere. Connect that dot with the line at both points where it crosses the circle. Result, a perfect right angle. Draw the circle of what size you will; place the dot on the circumference where you will; if the lines from the dot meet the horizontal line crossing the circle through its center, they will form a right angle. This was the operative Master’s great secret – knowing how to “try the square.” It was by this means that be tested working tools; did he do so often enough it was impossible either for tools or work “to materially err.” From this also comes the ritual used in the lodges of our English brethren where they “open on the center.”
The original line across the center bas been shifted to the side and become the “two
perpendicular parallel lines” of Egypt and India, and our admonitions are no longer what they must once have been; … “while a Mason circumscribes his square within these points, it is impossible that it should materially err.” But how much greater becomes the meaning of the symbol when we see it as a direct descent from an operative practice! Our ancient brethren used the point within a circle as a test for the rectitude of the tools by which they squared their work and built their temporal buildings. In the Speculative sense we use it as a test for the rectitude of our intentions and our conduct, by which we square our actions with the square of virtue. They erected Cathedrals – we build the house not made with bands. Their point within a circle was operative – ours is Speculative. But through the two – point in a circle on the ground by which an operative Master secretly tested the squares of his fellows – point within a circle as a symbol by which each of us may test, secretly, the square of his virtue by which he erects an Inner Temple to the Most High – both are Masonic, both are beautiful. The one we know is far more lovely that it is a direct descendant of an operative practice the use of which produced the good work, true work, square work of t he Master Masons of the days that came not back.
Pass it not lightly. Regard it with the reverence it deserves, for surely it is one of the
greatest teachings of Masonry, concealed within a symbol which is plain for any man to
read so be it he has Masonry in his heart.
The book is now out of print. However, you may find it in it’s entirety at this link: <http://web.mit.edu/dryfoo/Masons/Claudy/intro-fm_EA.pdf>